Angela Carter's (1977) The Company of Wolves

Carter also uses specific word of honor choices to depict the female person in comparison to the male, or in the case of this story the woman chaser against its pit. For the blonde, innocent girlfriend fearing the nutty filled with danger to get aid to her sick granny is portrayed in sharp contrast to the wolf-male. The female girl is depicted as innocent, untouched and inviolate in her induce purity:

She stands and moves within the invisible pentacle of her own virginity. She is an unvarying egg; she is a sealed vessel; she has inside her a magic space the entrance to which is shut tight with a plug of membrane; she is a closed system; she does not know how to shiver (Carter, 1977, p. 315).

This virginal and pure depiction of the female serves to reinforce Carter's theme that the male is a predatory beast against the innocent and weaker prey of the female when it comes to human sexuality.

Carter adds to the depiction of the wolf and the little girl as a mirror of the sexual relations between male and female by providing us an almost courtship- alike description of their time together. They "laugh and joke like out of date friends" the male is able to impress the female with his toys (a " chain"), and the wolf (male) asserts his authority over knowing which direction is exceed to grandma's house (Carter, 1977, p. 315). Nevertheless, Carter attempts to show that the male, a wolf in her mind, is a being who lives solely to e

ntrap the prey (female). We see this most clearly when Carter (1977, p. 316) provides us with an interior monologue of the young girl, as she is trying to determine whether she should stick to the caterpillar tread or go off into the wild with her traveling cuss: "She did not believe it; she knew she should never leave the path on the way through the wood or else she would be bewildered instantly.

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As most men are portrayed as lusting afterward women as a primary characteristic, so Carter (1977, pp. 312; 317) takes hurt not once but twice to inform us that "The wolf is carnivore incarnate." In this manner, Carter is arguing that the wolf (or male) is nevertheless after one thing from his prey (or female), flesh. The wolf impart do anything, say anything, and behave in any way that will succeed in getting him his taste of flesh. The wolf lives only for this, lost and howling mournfully for more when not on the hunt. As Carter (1977, p. 312) tells us, "?once he's had a taste of flesh then(prenominal) nothing else will do." The wolf kills his prey with little apprehension other than a single-minded determination to have his catch. In The Company of Wolves, we see that this goal is often aided by an ability to shapeshift or change form, "The last thing the old lady saw in all this world was a young man, eyes like cinders, naked as a stone, approaching her bed" (Carter, 1977, p. 317). In other words, men will often appear one way to get what they deprivation from their innocent female victims.

Carter, A. (1977). The Company of Wolves, pp. 312-319.

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