Directed by: Luis Bunuel
Screenplay by: Luis Bunuel and Salvador Dali
Length: 17 minutes
Un Chien Andalou is a short film intended to be indigent of meaning. The work is collaboration between Luis Bunuel and motif artist Salvador Dali. This 17-minute masterpiece is pure surrealist anarchy. Nothing in the film was intended to accommodate sense, not even the title, An Andalusian Dog as wizard will discover upon watching the film an absence of all K-9 friend. The actors serve as the tool in which to depict the demo of the creators comment on societys need to obtain logic. A Freudian fuelled text; Un Chien Andalou is laden with powerful symbolism. Just like in dreams, each chaos riddled scene is a meshwork of unrelated objects with organic qualities and symbols that are curiously unfurled in an violent relationship, even if there are none. The prime directive is to reversal and provoke the witnesss thoughts. Bunuel and Dali swarm us with disjointed images alluding to humanistic discipline ancestry with nature, the problematic relationship with culture and attitudes towards time and hearty growth. The silent accomplice to the work is the creative cinematography that echoes the deformed annals of dream sequences.
Fracturing, slicing, and twisting of linearity was a radical concept for the time and techniques pioneered in this film remain a staple in the language of cinema over 80 years later.
As the narrative flows, symbolic images are presented to the viewer in a haphazard manner reminiscent of a dream like state. Sexual symbolism is woven into come up-nigh every scene from the beginning to the end of the film, as well as references to religion, nature and shifting cultural values.
As the layer progresses the sexual symbolism in the groping scene is public to say the least and suggests many different ideas about sexuality. As the protagonist touches her bare breast he slips into a vision about a naked bottom while in a catatonic state of...If you want to get a full essay, order it on our website: Orderessay
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