English 120
Professor Bradbury
February 17, 2012
The Truth Behind the Sweetheart of var. Tra ring
When a narrator imparts a story on to an auditory modality they are presenting their listeners with a small gift. Automatically the audience is inclined to think that this gift is simply the narrators original mark for reciting the tale, whether that be to entertain, or reveal a moral. This is not the case. The narrators genuine gift is the re-creation of the vitrines in their stories and the emotions that resonate within those stories. Their final stage is to make you feel their story so deeply within the pit of your stomach that you know their words to be reliable. In a collection of short stories entitled, The Things They Carried, author Tim OBrien reveals the marvels of storytelling by fault down the barriers in the midst of fact and fiction, thus making it impossible to distinguish whether or not any given event in the stories truly happened. In the share How to Tell a True War Story OBrien discloses how to ascertain the difference between a true war story and one that is simulated you should see no virtue, you should be skeptical, and you should feel the truth. In the section titled, Sweetheart of Song Tra Bong, OBrien heeds each piece of advice he recited making his fictional war story true.
When telling a true war story Tim OBrien states that [there] is no rectitude, if at the end you feel uplifted or as if you were taught something, you lose become the victim of a very old and monstrous lie (OBrien p. 65). There is no virtue in true war stories. In the section Sweetheart of the Song Tra Bong, told by Rat Kiley, Mary Anne was the quintessence of innocence, virtue, and purity. She arrived to Vietnam, just wish the men first did young and with a romanticized view of what the domain really was. But like the men she would learn. Mary Anne was unornamented of her former self and was consumed by Vietnam, she became Vietnam. She became...If you want to get a full essay, order it on our website: Orderessay
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