In this connection, Patrick F. Quinns suggestion that Usher is a criminal merits attention.(3) He is, in a biological reading of the story, a sexual criminal, and a critic comparable Richard Wilbur, who suggests that the poetic soul is out to shake off this temporal, rational, physical world and escape . . .
to a realm of unfettered vision, lifts us out of rather than urges us into the depths which humanity in the person of Usher has touched.(4) Caroline Gordon and Allen Tate are closer to the truth when they call [column 2:] Usher a Gothic character taken seriously and when they view The Fall of the House of Usher as a serious story of moral perversion.(5) Certainly crankiness and maladjustment are central to a reading of Ushers character; and if this is a story of moral (sexual) perversion, its locus, Ushers morbid fears, express themselves overtly and covertly on the direct of the erotic.(6)
In this view, then, the letter from Usher to the narrator takes...If you want to scotch a full essay, order it on our website: Orderessay
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