Gregor has gone from beingnessness military man to being non-human. There is no doubt that this transformation is real and not merely a figment of his imagination or a dream:
It was no dream. His room, a regular human bedroom, whole rather too sm all in all, lay quiet between the quaternary familiar walls (89).
Gregor does not rail against his fate alone rather seems to accept it as his due. The matter-of-fact opening of the story is carried through with(predicate) in Gregor's acceptance of his change. Aside from the change itself, the most impress thing in the opening line is the reference to " noisome dreams."
The regularity of Gregor's life to this moment is indicated by his thoughts look uping how he must(prenominal) be out of bed at a authentic clock in order to get to work as he has done every day of his life. As he lays in bed now, Gregor seems to sense a change not only in himself but in the way time passes as he ticks off every second, concerned about(predicate) his inability to get out of bed and get to work. This concern overly shows that the change in Gregor is more one of mark than kind. That is, he was always trapped in life in some sense, first in his job and his family relationships and now in the body of an insect. Perhaps this is why he accepts his fate with such equa
The reference to Grete's acquisition of in the altogether confidence indicates that she gains from Gregor's change and beats more an individual than she could be in this family before the transformation. Her mother withdraws more into herself as Grete blossoms. There is a similar linking of the characters of Gregor and his father, with a huge gulf created between the both by the transformation. The father wanted the son to be analogous him, and now the son is an insect. There is a trusted flunk in the father as well that may be the flaw in the son leading to his change. Kafka never answers these questions richly but instead leaves the relationships ambiguous, much like the transformation itself, for which no explanation is ever offered.
nimity--he has always thought of himself as being punished.
Kafka, Franz. The Complete Stories. New York: Schocken Books, 1971.
Gregor's struggle within himself is over what his individualism really is. In the beginning he seems to know that he is Gregor the salesman and that he belongs with a certain family in a certain home and in a certain job. Because of the transformation, however, Gregor is alienated from all that he has ever known, yet this alienation does not become a matter for despair but rather leads to a new acceptance of the changed situation. Gregor's identity has been shifted from Gregor to the insect, and yet that identity also changes as the transformation is accepted. Gregor hangs onto his prized possession of a print of a woman in a fur stole as a symbol of his original identity, a symbol that disregard have no real meaning to an insect but that has some meaning to Gregor. Ye this is as meaningless in the universe of this story as is any other human effort, human relationship, human passion. The universe is chaotic, and every individual is lost in the enormity and coldness of that universe. What happened to Gregor could happen to anyone and would be just as arbitrary and just as meaningless.
In this meaningless u
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